Jared Jaffe

artist statement
  I work within a set of limitations.  I believe that there are great possibilities for artistic expression within the boundaries of functional formation.   My artwork considers function along with the inherentl qualities of sculptural objects.  I strive to create ceramic objects that bridge the gap between traditional pottery concepts and sculptural forms.  My present interest is in demonstrating how the casting process translates a dimensional surface treatment from a decorative embellishment on the outside into a physical representation on the inside. I strive to create ceramic objects that bridge the gap between a traditional pottery techniques and sculptural forms.
.. My chosen surface treatment deals with fractals and their derivations; Julia sets, Mandelbrot sets and Quaternions. Simply put a fractal is a term for shapes that are "self-similar," appearing the same at different magnifications. A fractal can be created by duplicating a shape successively according to a set of rules. The results can be complex structures, which resemble seemly random-shaped things in nature, such as clouds, mountains and trees. An application of fractals is to represent complex imagery in very concise algorithms. I have eliminated the precise mathematical equations and replaced them with broad, free flowing strokes and more truly random tangents. This treatment gives me an undulating, layered surface that is seductive, tactile and inviting. With this surface, I can best demonstrate my ideas about inside/outside and the casting process.
.. Slip casting allows the creation of identical objects from a single original. It also renders an object hollow and of uniform thickness. The former quality tends to reduce an objects value. The latter is an overlooked aspect that can reveal the beauty hidden within.
..My artwork not only alters the surface, but also transforms the stigmas and connotations associated with slip casting. I am currently creating objects that best take advantage of this three dimensional shell. Masks with a patterned outside can show one “face” while hiding another. Placing this exterior on the underside of an open serving form such as a bowl or platter reflects the design on the interior. A simple building block can be used to expose its own interior as well as create monumental structures out of what is essentially a thin and fragile skin.